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Pro Audio Equipment (used)
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Located in Newark Ohio, just 30 minutes east of Columbus.
Hurricane Audio
PO BOX 741
Newark, OH 43058-0741
email: HurricaneAudio@oliveoyls.com
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Pro Audio - BSS Varicurve 2-ch Digital Equalizer System
$7,000.00 $3,499.00 On-Sale 
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FCS-926 Front
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FCS-926 Left
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FCS-926 Center
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FCS-926 Right
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FCS-926 Rear
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FPC-900R Top
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FPC-900R Front
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FPC-900R Rear
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FPC-900R Carry Bag
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FPC-900I PSU
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FPC-900R Live, this is a dream to use!
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FPC-900 Book
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FCS-926 Book
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Bss Varicurve FCS-926
2-CH 31-Band Digital Equalizer
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) FCS-926 2-ch Digital Equalizer
• (1) FPC-900R Remote Controller
• (1) FPC-900I Remote Controller Interface
• (1) PCMCIA Memory Card
• (1) Remote Control Storage Bag
• (1) EQ Book
• (1) Remote Book
Overall Condition: Excellent
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Bss Varicurve FCS-926 2-CH 31-Band Digital Equalizer
The Varicurve system of audio equalisers utilises a large, high definition graphics screen and
digital techniques to give an intuitive interface between the user and control of high quality
analogue filters. The FCS-926 is a dual channel parametric filter equaliser offering a total of 12
individual parametric filters and a 30 band Real Time Analyser (RTA) with pink noise source.
The Varicurve multiband equalisation system creates a more accurate and sonically superior
composite EQ contour than conventional manual or programmable graphic equalisers whilst
offering the added advantages of program memories, Midi and computer control.
A fully professional design that is the result of BSS Audio's long experience in creating industry
standard audio products, makes the VaricurveTM system a natural upgrade from conventional
graphic and parametric equalisers currently specified for various audio production
environments.
Some of the features offered within the FCS-926 are:
* Two separate channels of six band parametric equalisation which can operate independently,
or as a stereo linked pair. A MONO mode reconfigures the system as a single channel twelve
band parametric equaliser.
* All bands continuously variable from 20Hz to 20kHz, with bandwidth adjustment from 2
octaves to 0.1 octave. Cut and boost are variable between +/-15dB with a deep Notch
available on each band.
* Non reciprocal asymmetric cut/boost creates a more selective cut profile at any width setting.
* Peak fix mode holds boost or cut centres of each filter constant to minimise filter interaction.
* Large high contrast brightly backlit LCD screen graphically displays the composite EQ curve,
with numerical read-out of control settings for the band being adjusted.
* Integral RTA 30 band spectrum analyser with pink noise generator and featuring a phantom
powered mic input, peak or RMS response and selectable decay characteristics.
* Auto EQ mode links RTA analysis and equalisation processes to provide a sophisticated room
tuning facility which can automatically EQ a room to flat or to a stored preset room curve.
* Fifty program memory presets for stereo EQ set-ups, a further six program memories for
preset room curves and six memories for RTA analysis results.
* Comprehensive external control facilities include Midi, PA-422 and proprietary FSK for
control by the BSS FPC-900 VaricurveTM remote controller.
* Electronically balanced inputs and outputs with optional internally fitting transformers.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - CabbageCases 21+21 Space Rack
$1,800.00 $899.00 On-Sale
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Cabbage Cases Double Rack
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Cabbage Cases
21+21 Space Double Rack
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Contents of this Lot:
• Lot Quantity Available: 1
• Heavy Duty Flight Case Rack
• Four (4) Locking Casters
• 42-space Total
• Slanted Front
• Two Side-by-Side Racks in one Case
• Outside Color: Gray
• Front Door Removes
• Back Door is Hinged
• (Empty Rack, Equipment not included!)
Overall Condition: Excellent
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THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Lexicon PCM-80 Digital Effects Processor
$1,800.00 $899.00 On-Sale
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PCM80 Front
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PCM80 Front
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PCM80 Left
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PCM80 Center
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PCM80 Right
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PCM80 Rear
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PCM80 Books
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Lexicon PCM80
Digital Effects Processor
2-Inputs 2-Outputs
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) Lexicon PCM80
• (6) Books
• (1) PCMCIA Memory Card
Overall Condition: Excellent
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Lexicon PCM80 Digital Effects Processor
The PCM 80 is one of Lexicon’s most powerful and
versatile digital effects processors. The PCM 80 brings you exciting new effects
with extensive processing and control capabilities, and uncompromising sonic
clarity.
The PCM 80 contains a built-in library of 200 preset programs that provide a
comprehensive array of effects ranging from beautiful and lush to completely
wild. The presets are organized into 4 Banks of 50, and functionally grouped for
a wide range of applications. Be sure to experiment with all 200 presets to get
a feel for the full range of PCM 80 capabilities.
Every preset has one or more of its parameters patched to the front panel
ADJUST knob, giving you instant control over the primary aspect of the effect
— without going into Edit mode. In the preset, Concert Hall, for example, Mid
Reverb Time is patched to ADJUST. When you turn the knob, you will adjust the
reverb decay. In Prime Blue, ADJUST is patched to several parameters, so that
turning the knob changes the effect from a tight chorus, to a chorus with
recirculating echoes and, finally, into a reverb.
The Algorithms
The PCM 80 uses 10 stereo algorithms to create different types of effects. Each
algorithm includes an uncompromised stereo reverb effect, as well as several
voices of additional stereo effects. There are two general classes of algorithm:
4-Voice and 6-Voice. The 4-Voice algorithms: Concert Hall, Plate, Chamber,
Inverse and Infinite each combine a specific type of reverberation with a 4-voice,
general purpose, stereo effect “toolbox”, as well as additional post-processing
for the reverb. The 6-Voice algorithms: Glide>Hall, Chorus+Rvb, M-Band+Rvb,
Res1>Plate and Res2>Plate each combine a specific type of reverberation with
a specialized 6-voice stereo effect.
All PCM 80 algorithms include several parameters that make it possible to create
dynamic spatialization effects for 2-channel or surround applications. Check out
the Ambience Effects in Bank P1 and the Spatial Effects in Bank P2 for
examples.
Tempo Control
The PCM 80 gives you a unique set of tempo controls.Tempos can be tapped
in with the front panel Tap button (or an assigned controller) or “dialed-in”, in
BPM (beats per minute) on the display. The PCM 80 also lets you generate MIDI
clock from your tempo, as well as receive MIDI tempo from an external
sequencer or drum machine. In the PCM 80, tempo can control LFO speeds and
Time Switch controls, as well as all delay parameters, ensuring that all of your
modulations are in tempo with your music. You can even set independent
rhythmic values for different parameters within a single program.
Tempo can be set and displayed in either rhythmic value or time values. Many
presets, particularly the Rhythmic Echo & Delay Effects in Program Bank P1,
have delay times assigned to Tap tempo. Try loading some of these and
pressing Tap twice in rhythm to change tempo.
Editing
An enormous range of editing control is provided for each algorithm, with
parameters organized in an edit matrix of as many as 100 main controls. In
addition to providing this powerful sound design capability, the PCM 80 also
allows you to customize these controls for your day-to-day editing needs, or to
use a subset of controls specially designed for each preset.
The PCM 80 has two levels of Edit Mode control called Go mode and Pro mode.
In Go mode, the most useful parameters within an effect are grouped for instant
access via the front panel Edit button. Each preset has a specially selected set
of Go mode parameters which let you make value changes to the effect without
losing the character of the sound. Pro mode gives you access to the full
parameter editing matrix for the algorithm of any loaded effect when you press
Edit. In this mode, you can access a complete set of Modulation and Patching
parameters, create your own ADJUST knob patch and assign your own Go
mode parameters.
A unique Patching and Modulation system provides unprecedented control over
your effects, with a versatile set of internal modulators: LFO, AR Envelope,
Envelope Follower, Latch and Time Switches. These allow you to create
modulation sweeps which move in time with music, or wildly animated effects.
You can create as many as 10 patches per effect, each with as many as 8 pivot
points. You can patch multiple parameters to a single controller, or patch
multiple sources to a single destination.
Expansion
The front panel memory slot will accept industry standard PCMCIA SRAM cards
(up to 1Meg). Use these cards to store effects (as many as 2350 on a 1 Meg
card), system setups, MIDI program maps, and more.
PCM 80 internal audio memory can be expanded from a maximum stereo delay
time of 2.6 seconds to more than 42 seconds by installing 4Meg memory
modules (SIMMs).
User Interface
For all of its programming power and flexibility, you’ll find the PCM 80 simple to
use. The large, 2-line fluorescent display is easy to see from any angle whether
the surroundings are bright or dark. Separate SELECT and ADJUST knobs
make program loading and editing quick and easy. We’ve even designed in a
special Info mode — press and hold any button to find out what its function is,
or to get status information such as the name of the running effect, current tempo
rate, etc.
To get the most out of the PCM 80, we suggest that you invest the time to explore
this manual. We think you’ll agree that the time spent investigating will reward
you with enjoyment of its full capabilities.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Yamaha SPX-990 Digital Effects Processor
$1,200.00 $799.00 On-Sale
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SPX990 Front
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SPX990 Front
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SPX990 Left
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SPX990 Center
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SPX990 Right
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SPX990 Rear
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SPX990 Books
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Yamaha SPX-990
Digital Effects Processor
2-Inputs 2-Outputs
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) Yamaha SPX-990
• (3) Books
Overall Condition: Excellent
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Yamaha SPX-990 Digital Effects Processor
The PCM 80 is one of Lexicon’s most powerful and
versatile digital effects processors. The PCM 80 brings you exciting new effects
with extensive processing and control capabilities, and uncompromising sonic
clarity.
The PCM 80 contains a built-in library of 200 preset programs that provide a
comprehensive array of effects ranging from beautiful and lush to completely
wild. The presets are organized into 4 Banks of 50, and functionally grouped for
a wide range of applications. Be sure to experiment with all 200 presets to get
a feel for the full range of PCM 80 capabilities.
Every preset has one or more of its parameters patched to the front panel
ADJUST knob, giving you instant control over the primary aspect of the effect
— without going into Edit mode. In the preset, Concert Hall, for example, Mid
Reverb Time is patched to ADJUST. When you turn the knob, you will adjust the
reverb decay. In Prime Blue, ADJUST is patched to several parameters, so that
turning the knob changes the effect from a tight chorus, to a chorus with
recirculating echoes and, finally, into a reverb.
The Algorithms
The PCM 80 uses 10 stereo algorithms to create different types of effects. Each
algorithm includes an uncompromised stereo reverb effect, as well as several
voices of additional stereo effects. There are two general classes of algorithm:
4-Voice and 6-Voice. The 4-Voice algorithms: Concert Hall, Plate, Chamber,
Inverse and Infinite each combine a specific type of reverberation with a 4-voice,
general purpose, stereo effect “toolbox”, as well as additional post-processing
for the reverb. The 6-Voice algorithms: Glide>Hall, Chorus+Rvb, M-Band+Rvb,
Res1>Plate and Res2>Plate each combine a specific type of reverberation with
a specialized 6-voice stereo effect.
All PCM 80 algorithms include several parameters that make it possible to create
dynamic spatialization effects for 2-channel or surround applications. Check out
the Ambience Effects in Bank P1 and the Spatial Effects in Bank P2 for
examples.
Tempo Control
The PCM 80 gives you a unique set of tempo controls.Tempos can be tapped
in with the front panel Tap button (or an assigned controller) or “dialed-in”, in
BPM (beats per minute) on the display. The PCM 80 also lets you generate MIDI
clock from your tempo, as well as receive MIDI tempo from an external
sequencer or drum machine. In the PCM 80, tempo can control LFO speeds and
Time Switch controls, as well as all delay parameters, ensuring that all of your
modulations are in tempo with your music. You can even set independent
rhythmic values for different parameters within a single program.
Tempo can be set and displayed in either rhythmic value or time values. Many
presets, particularly the Rhythmic Echo & Delay Effects in Program Bank P1,
have delay times assigned to Tap tempo. Try loading some of these and
pressing Tap twice in rhythm to change tempo.
Editing
An enormous range of editing control is provided for each algorithm, with
parameters organized in an edit matrix of as many as 100 main controls. In
addition to providing this powerful sound design capability, the PCM 80 also
allows you to customize these controls for your day-to-day editing needs, or to
use a subset of controls specially designed for each preset.
The PCM 80 has two levels of Edit Mode control called Go mode and Pro mode.
In Go mode, the most useful parameters within an effect are grouped for instant
access via the front panel Edit button. Each preset has a specially selected set
of Go mode parameters which let you make value changes to the effect without
losing the character of the sound. Pro mode gives you access to the full
parameter editing matrix for the algorithm of any loaded effect when you press
Edit. In this mode, you can access a complete set of Modulation and Patching
parameters, create your own ADJUST knob patch and assign your own Go
mode parameters.
A unique Patching and Modulation system provides unprecedented control over
your effects, with a versatile set of internal modulators: LFO, AR Envelope,
Envelope Follower, Latch and Time Switches. These allow you to create
modulation sweeps which move in time with music, or wildly animated effects.
You can create as many as 10 patches per effect, each with as many as 8 pivot
points. You can patch multiple parameters to a single controller, or patch
multiple sources to a single destination.
Expansion
The front panel memory slot will accept industry standard PCMCIA SRAM cards
(up to 1Meg). Use these cards to store effects (as many as 2350 on a 1 Meg
card), system setups, MIDI program maps, and more.
PCM 80 internal audio memory can be expanded from a maximum stereo delay
time of 2.6 seconds to more than 42 seconds by installing 4Meg memory
modules (SIMMs).
User Interface
For all of its programming power and flexibility, you’ll find the PCM 80 simple to
use. The large, 2-line fluorescent display is easy to see from any angle whether
the surroundings are bright or dark. Separate SELECT and ADJUST knobs
make program loading and editing quick and easy. We’ve even designed in a
special Info mode — press and hold any button to find out what its function is,
or to get status information such as the name of the running effect, current tempo
rate, etc.
To get the most out of the PCM 80, we suggest that you invest the time to explore
this manual. We think you’ll agree that the time spent investigating will reward
you with enjoyment of its full capabilities.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - DBX-166A 2-ch Compresser / Limiter / Gate
$450.00 $299.00 On-Sale
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DBX166A Front
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DBX166A Left
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DBX166A Center
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DBX166A Right
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DBX166A Rear
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DBX 166A
2-CH Compressor/Limiter
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Contents of this Lot:
• Lot Quantity Available: 3
• (1) DBX 166A Compressor/Limiter
Overall Condition All Units: Excellent
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DBX 166A 2-CH Compressor/Limiter
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Furman Sound PL-PLUS Power Conditioner
$275.00 $149.00 On-Sale
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Furman Sound PL-PLUS Front
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Furman Sound PL-PLUS Back
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Furman Sound PL-PLUS
Power Conditioner and Light Module
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) Furman Sound PL-PLUS
Overall Condition: Excellent
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Furman Sound PL-PLUS Power Conditioner and Light Module
The PL-8 Power Conditioner and Light Module is the perfect
accessory to any equipment rack, providing the basic power protection
essential to every audio or video system. Install a PL-8 in the top slot
of your rack, and the eight switched AC outlets on the rear panel will
power up all your equipment while its two slide-out light fi xtures provide
discreet illumination of their controls on stages, in studios, or in any dark
place. A dimmer control lets you adjust the lamp brightness to just the
right level.
The PL-8 protects your delicate electronic equipment by combining
a high voltage surge and transient suppressor with an RFI/EMI
interference fi lter. The fast-acting suppression circuit responds in
nanoseconds, clamping spikes and surges to safe levels. The fi lter
works to prevent noise from fl uorescent lights, electric motors, radio
transmitters, and similar sources of “electronic pollution” from leaking
from the AC line into sensitive analog or digital circuits.
The PL-8’s lamps come supplied with 7 watt night-light bulbs.
Replacements are readily available in 4 watt or 7 watt sizes at most
supermarkets and hardware stores. Colored Christmas tree bulbs may
also be used. Bulbs are easily replaced without removing the unit from
the rack by unscrewing the cap on the end of each light tube.
The PL-8 has a master switch for the rear outlets that glows red
when the power is on. There is also a separate switch for the lamps,
allowing you to check your equipment settings before applying power to
it. The front-panel circuit breaker can be easily and quickly reset should
the PL-8 be overloaded. Model PL-PLUS is an enhanced version of
the PL-8, offering improved noise fi ltering and an AC voltmeter.
The 20 LED bar-graph voltmeter reads from 90 to 128
volts in 2-volt steps. The normal range voltages are
indicated in green, with moderately and extremely
high or low voltages in yellow and red respectively.
The voltmeter’s accuracy is ±2 volts. It can easily be
recalibrated if necessary. The PL-PLUS also features
a longer, 10 foot heavy-duty 14 gauge power cable.
In addition, it offers a sophisticated RFI fi lter network
with a greatly improved capacity for stopping line
noise. This fi lter incorporates a toroidal inductor and
three high-voltage capacitors to achieve a commonmode
noise attenuation of over 50 dB at 10 MHz (see
graph overleaf below).
SPECIFICATIONS
Current rating: 15 Amps
Input Voltage: 85 to 135 VAC
Voltmeter Accuracy: ±2 VAC
Spike Protection Modes:
Line to neutral
neutral to ground
line to ground
Response time: 1 nanosecond
Maximum surge current: 6,500 Amps
Maximum spike energy:
80 Joules per mode
240 Joules total protection
Mechanical:
Dimensions: 1.75” H x 19” W x 8” D
Weight: 6 lbs
Power Consumption: 20 Watts
Safety Agency Listings:
UL, CUL, CE, NRTL-C
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Yamaha REV-500 Digital Effects Processor
$500.00 $299.00 On-Sale
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REV500 Front
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REV500 Rear
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Yamaha REV-500
Digital Effects Processor
2-Inputs 2-Outputs
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) Yamaha REV-500
Overall Condition: Excellent
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Yamaha REV-500 Digital Effects Processor
The Yamaha REV500 Digital Reverberator is a high-quality,
inexpensive, and easy-to-use digital reverberator, suitable for home recording or smaller sound reinforcement
applications.
A true stereo processor with two inputs and two outputs, the REV500 offers high-quality stereo reverb, either
alone or in combination with a variety of other effects. The 20-bit A/D and D/A converters feature a 44.1 kHz
sampling rate, for superb sound quality and wide frequency response. The REV500 comes complete with 100
preset programs that take excellent advantage of this high-performance hardware, plus room for 100 more
programs that you can edit for yourself.
The REV500 is also flexible and simple to use. It lets you use either 1/4" phone or XLR connectors for both
input and output, and gives you the option of +4 dB input and output levels. Four rotary controls allow quick
and easy editing of the basic program parameters. And MIDI IN and OUT terminals allow remote program
selection, remote data storage, and realtime control of program parameters using MIDI messages.
To get the most out of your REV500 Digital Reverberator, please read this manual thoroughly and keep it on
hand for future reference.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Electrovoice RE20 75th Anniversary Special Edition
$3,000.00 $2,500.00 On-Sale
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(2) Embossed Logos
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RE20SE Microphone
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RE20SE Special Wooden Box
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RE20SE Shipping Box
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Electrovoice RE20SE 75th Anniversary Microphone
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) Electrovoice RE20SE 75th Microphone
• (1) Shipping Box
• (1) Special Wooden Box
• (1) Microphone Clip
Overall Condition: Brand New
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Electrovoice RE20SE 75th Anniversary Microphone
The Electro-Voice RE20 is a professional-quality dynamic
cardioid microphone created specially for recording, broadcast
and sound-reinforcement applications requiring essentially
flat response over a very wide frequency range. The wide
frequency response, coupled with excellent transient
response, make the RE20 easily comparable to the finest
condenser cardioid microphones and an easily operated “bass
tilt down” switch corrects spectrum balance for use in longreach
situations or other applications where bass attenuation
is needed.
A true cardioid microphone, the RE20 offers greatest rejection
at 180º off axis - directly to the rear of the microphone. Pattern
control is so consistent that the frequency response is nearly
independent of angular location of the sound source, creating
virtually no off-axis coloration, yet providing greatest possible
rejection of unwanted sounds. An integral blast and wind filter
covers each acoustic opening on the RE20. In recording
sessions or on stage, singers can “close talk” the microphone,
singing with their lips almost touching the grille screen with
no worry of “P-pops” or excessive sibilance. Part of the filter
also shock mounts the internal microphone element, reducing
the transfer of vibrations from external sources. The
exceptional performance of the RE20 is achieved by using a
large Acoustalloy diaphragm in combination with an
exceptionally low-mass aluminum voice coil. Using this
diaphragm assembly, the RE20 is capable of reproducing
extremely high sound pressure levels with no fear of the
overload and distortion often experienced with phantompowered
condensers. The RE20 will also continue to function
flawlessly in high humidity and elevated temperatures that
would seriously degrade competitive condenser microphones.
A massive steel housing and effective hum-bucking coil assure
the RE20’s resistance to magnetically induced hum and noise.
This means the RE20 can be used successfully in situations
where other microphones would experience unacceptable
levels of hum and buzz. By exploiting the strength of its steel
housing and employing a mechanical nesting concept, EV
designers have created an exceptionally rugged microphone
with superior handling noise rejection ideally suited for
professional uses.
Key Features:
• Favorite of broadcast show hosts and voiceover studios
• Ideal for instrument recording, especially kick drums and acoustic guitars
• Studio condenser response yet no powering required and immune to overloading
• Large Acoustalloy diaphragm and low-mass aluminum voice coil
• Dual-ported, continuously Variable-D® with minimal proximity effect
• Steel case and hum-bucking coil provide exceptional magnetic shielding
Generating Element: Dynamic
Frequency Response: 45 - 18,000 Hz
Polar Pattern: Cardioid
Impedance: 150 ohms balanced
Sensitivity, Open Circuit
Voltage, 1 kHz:
1.5 mV/pascal
Hum Pickup Level, typical
(60 Hz/ 1 millioersted field):-130 dBm
Polarity: Pin 2 will be positive referenced to Pin
3 with positive pressure on diaphragm
Case Material: Steel
Dimensions:
Length: 216.7 mm (8.53 in.)
Widest Diameter: 54.4 mm (2.14 in.)
Body Diameter: 49.2 mm (1.94 in.)
Finish: Black (special edition)
Net Weight: 737 g (1 lb, 10 oz)
Accessories Furnished: stand clamp
Optional Accessories:
309A shock-mounted stand adapter
Engineers Specifications:
The microphone shall be a cardioid type with integral blast filter
protecting all acoustic openings. The blast filter shall also serve as
a shock mount for the internal microphone element. The microphone
shall have a wide-range uniform frequency response from 45-
18,000 Hz. An integral passive network shall be provided so that
when the filter switch is in the “on” position, low-frequency response
shall tilt down 4.5 dB from 400-100 Hz. With switch in “off” position,
microphone shall be essentially “flat” from 80-6,000 Hz, with a broad
2.5 dB rise in response from 6,000-14,000 Hz, and nominally down
3 dB at 18,000 Hz. Response below 80 Hz shall be nominally down
3 dB at 45 Hz. Output level shall be 1.5mV/Pascal. Nominal
impedance of 150 ohms. Response at any angular position away
from the major axis shall be essentially similar to the response
on the major axis, but attenuated uniformly at all frequencies by an
amount appropriate to that angular position. Attenuation at
frequencies from 45-10,000 Hz (refer to major axis signal value)
shall exceed 15 dB at 180° from major axis in any plane. Attenuation
above 10,000 Hz shall exceed 13 dB. Polar characteristics shall
be sufficiently uniform in all planes so that it is, effectively, a cardioid
of revolution. There shall be a shield to prevent dust and iron
particles from reaching the diaphragm. The case shall be made of
steel. The microphone shall have a maximum diameter of 54.4
mm (2.14 in.), a body diameter of 49.2 mm (1.94 in.) and a length
of 216.7 mm (8.53 in.). Finish shall be a nonreflecting fawn beige.
A stand adapter shall be supplied. The Electro-Voice RE20 is
specified.
I am sorry, I am not interested in offers, on this microphone. It is Brand New!
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Meyer Sound HD-1 Studio Monitors
$6,500.00 $3,999.00 On-Sale
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Meyer HD-1 Speakers
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Meyer HD-1 Speakers
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Meyer Sound Logo
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CabbageCases HD Case w/Casters
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Meyer HD-1 Drawing
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Rapco Microphone Cable 25-Ft
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Meyer Sound HD-1
Self-Powered Studio Monitors
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Contents of this Lot:
• Lot Quantity Available: 1
• (2) Meyer HD-1 Powered Studio Monitor Speakers
• (1) Heavey Duty Road Case w/Casters
• (2) Meyer Power Cables 10-Ft
• (1) Rapco Microphone Cable 25-Ft (Red Ends)
• (1) Rapco Microphone Cable 25-Ft (Green Ends)
Overall Condition: Excellent
Speaker Condition: Brand New Speakers
Travel Case Condition: Very Good.
We had ALL of the speakers in both cabinets
re-coned, re-tuned and re-aligned by Meyer Sound.
They have not been used since.
They are like Brand New.
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Meyer Sound HD-1 Studio Monitors
The HD-1 High Definition
Audio Monitor* is a self-contained,
precision loudspeaker for nearfield
sound reproduction.
Aligned to closely approximate
a true point source radiator, the
HD-1 features exceptionally broad
directivity characteristics. Its time
delay response is tightly controlled,
with minimal deviation from linear
phase across the full frequency
range of its operation. Each unit is
individually factory-calibrated to
ensure unprecedented consistency
of performance. The HD-1 is
suitable for critical applications
ranging from professional recording
to psychoacoustical research.
The HD-1 is a two-way system
comprising an 8-inch cone lowfrequency
driver and dome tweeter
housed in a vented cabinet. The
low-frequency driver features an
exceptionally large magnet structure
and a 2-inch voice coil for
greatest efficiency and heat dissipation.
The tweeter employs a
specially-developed impregnated
silk dome to minimize breakup and
colorization.
Both drivers are of a proprietary
design, and are individually
selected for maximum linearity.
Their magnet structures employ
sophisticated field-cancelling
design techniques to minimize
magnetic field leakage, and the
cabinets may safely be placed within 2 feet of sensitive color
video monitors. For applications
requiring closer proximity to
monitors, an optional steelshielded
model is available.
The HD-1 incorporates line-level
control electronics mounted within
a rear-panel chassis, including:
• an active balanced input circuit
with switchable sensitivity
(+4 dBu or -10 dBV);
• an active crossover utilizing
optimized pole-zero filter
combinations to achieve acoustical
transparency and linear
phase;
• independent protection circuits
for each loudspeaker driver;
• dual power amplifiers for
biamplification.
The driver protection circuits
employ thermo-predictive limiters
and soft peak clamps to guard against damage from excessive
amplifier power and ensure
graceful overload characteristics.
Independent power biamplifiers
maximize system headroom,
efficiency and damping while
minimizing distortion. The low
frequency amplifier delivers 150
watts output power, while the high
frequency amplifier provides 75
watts. Both employ complementary
power MOSFET output stages
operating class A at low-to-moderate
listening levels (<90 dB SPL),
and class AB at high levels.
The HD-1’s free-field frequency
response is flat within ±1 dB from
40 Hz to 20 kHz (-3 dB at 32 Hz
and 22 kHz). It delivers high peak
SPL with >100 dB dynamic range
and extremely low distortion.
Covers are included for use during
transport.
Placement
The HD-1 is designed for “near
field” operation. The best listening
distance is between 3 and 9 feet
from the speaker face.
The HD-1 is aligned for flat
frequency response in free field (no
adjacent boundary surfaces).
Placing it next to a wall or on the
floor will cause the low frequencies
to be exaggerated.
Nearby surfaces (such as a
mixing console control surface)
should be angled to minimize
reflections toward the listener.
For stereo playback systems,
speaker stands are highly recommended.
Place them at least 3 feet
from any wall. In recording studios
the speakers may be placed on the
meter bridge.
Always allow at least 6 inches
clearance behind the speaker for
cooling airflow.
Power
The HD-1 accepts AC voltages
from 90 to 260 VAC, at 50 or 60 Hz,
in four ranges. Select the range that
is closest to the local mains AC
voltage.
The HD-1 is protected by a fastacting
fuse in the voltage selector
switch.
Input Connection
The HD-1 presents a 10 kohm
input impedance at a three-pin
XLR-type receptacle
Standard audio cables with
XLR-type connectors may be used
for balanced signal sources. Unbalanced
sources will require an inline
adapter.
Operation
In normal operation, the frontpanel
LED will glow green.
At high listening levels, the LED
may flash red on program peaks.
This indicates the onset of overload,
where the loudspeaker
protection limiters are activated.
If the LED is continuously red
for an extended period (8 hrs.),
thermal damage may result.
Calibration Port
The calibration port is for factory
use only. Do not apply external
voltages to any of the connector
pins.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - ASHLY GQX-3102 2-CH 31-Band Equalizer
$1,000.00 $599.00 On-Sale
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GQX-3102 Front
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GQX-3102 Front
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GQX-3102 Left
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GQX-3102 Right
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GQX-3102 Rear
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GQX-3102 Book
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Ashly GQX-3102
2-CH 31-Band Equalizer
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Contents of this Lot:
• (1) Ashly GQX-3102
• Quantity Available: 2
Overall Condition: Excellent
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Ashly GQX-3102 2-CH 31-Band Equalizer
The GQX-3102 graphic equalizer features two channels of 31-band 1/3-octave EQ, a tunable high-pass filter circuit (8Hz to 200Hz),
a switch-selectable cut or boost of either 6dB or 15dB. The 45mm full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized
as an “on/off” switch for that filter which minimizes any possible degradation in signal noise levels. A 10-segment, two color LED meter displays accurately displays
your signal level and referenses 0 VU to +4dBu.
The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards and an
extensive ground plane design are used in the filter sections to improve RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing
amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant
“Q” response with no broadening near the “flat” setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used
are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth “feel”. Ashly’s unique “T-Beam” front panel construction
eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel.
Input and output connections include locking XLR, 1/4” TRS and Euroblock. Ashly’s servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected
directly to ground. The power supply is a universal switching power supply which operates from 100-240VAC, 50/60Hz with the power switch located on the rear panel.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - BSS Omnidrive FDS-388
$4,500.00 $1,999.00 On-Sale
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FDS-388 Front
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FDS-388 Front
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FDS-388 Left
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FDS-388 Center
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FDS-388 Right
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FDS-388 Rear
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FDS-388 Temperature & Humidity Probe
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FDS-388 Books
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BSS Omnidrive FDS-388
Loudspeaker Management System
2-Inputs 8-Outputs
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) BSS Omnidrive FDS-388
• (1) BSS Temperature & Humidity Probe
• (2) Books
Overall Condition: Excellent
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BSS Omnidrive FDS-388
Loudspeaker Management System
The OMNIDRIVE Loudspeaker Management System represents a radical step forward in DSP processing
for loudspeaker management, incorporating BSS’s vast experience in crossover
design and combining two channels of 4-way crossover, parametric
equalisation, digital delay lines and limiters, and is designed for use in all areas
of sound control. A compact 2U chassis means reduced interconnections
cabling and rack weight, while increasing rack space availability. Major
facilities include password protection, automatic correction for HF response
with humidity and delays with temperature.
The user front-end is remarkably simple, combining a real-time graphical
display with an analogue-like output control section with led meters for full
indication of system performance. The screen shows crossover response, EQ
curves plus delay and limiter data in high-resolution graphics. System settings
can be stored in up to 60 user memories, for quick and easy setup.
The crossover sections can be configured as stereo 2, 3 or 4 way, with the
option of setting one stereo band as a mono-lo output for sub-bass processing.
Various filter types may be selected with slopes of 12, 18 or 24dB per octave.
Parametric EQ is provided as two sections of fully adjustable EQ per band of
processing, one section being optionally configured as a 0-180 degree
adjustable phase control, with polarity switching as standard through a
separate independent function. The EQ range is 15Hz to 16kHz, gain
adjustable +/- 15dB, with a Q from 0.05 to 3 octaves, switchable between bell
or shelving response.
The limiters are located mid-band, an optimal configuration originated by BSS
and now widely adopted. Each band also incorporates a delay line, with
adjustable delay in unusually fine 10 microsecond steps up to 650 milliseconds
and displayed and adjusted in feet, metres or milliseconds.
PCMCIA card slot:
Two types of file can be stored and recalled using a standard PCMCIA 'smart'
card. Files can contain individual programs or a complete record of all the
FDS-388 data.
Other Features:
Data Archive to PCMCIA memory card.
Optional Digital I/O cards.
Optional Humidity / Temperature probe for auto correction system.
MIDI Interface / Open Architecture port.
2 - Inputs
8 - Outputs
This unit can also be controlled by a
BSS Varicurve Remote Controller too!
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - EAW 5.1 Surround System
$6,000.00 $3,999.00 On-Sale
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EAW 5.1 Surround System Speaker Cabinets
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EAW 5.1 Surround System Speaker Cabinets
This system was installed in our showroom.
5.1 Channel Surround System with
(5) EAW JF-80 High/Mid Cabinets and
(1) EAW SB-150 Subwoofer.
Lots of possibilities!
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Contents of List:
• (5) EAW JF-80 Speaker Cabinets (White)
2-Way Passive Cabinet 460-Watts total
(2) 6.5" Mid Drivers
(1) 1" High Driver on a Wave Guide PlateT
100° x 80° Coverage Pattern
85 Hz to 18 kHz
• (4) EAW 606007 JF80 Wallmount Brackets (White)
• (1) EAW SB-150 Speaker Cabinet (White)
Passive Cabinet 1000-Watts total
(1) 15" Subwoofer 1000-Watts
29 Hz to 300 Hz
Overall Condition of Everything:
Excellent (on a scale of 1 to 10) 9
All equipment has been tested.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
This item must ship TRUCK in (7) boxes.
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Pro Audio - EAW MX300i Digital Cross-Over
$2,000.00 $549.00 On-Sale
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EAW MX300i Digital Cross-Over
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EAW MX300i Digital Cross-Over
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) EAW MX300i Digital Cross-Over
• Factory set up for:
• EAW KF650E + EAW SB330E combination.
• Easy changable with factory parts.
Overall Condition: Excellent
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THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - HHB CDR-850 CD Real-Time Recorder
$850.00 $399.00 On-Sale
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HHB CDR-850 Front
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HHB CDR-850 Rear
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HHB CDR-850
CD Real-Time Recorder
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) HHB CDR-850 CD Real-Time Recorder
Overall Condition: Excellent
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HHB CDR-850 CD Real-Time Recorder
Combining exceptional sound quality, features and ease of use in a stylish, solidly engineered package, the HHB CDR850 has become the first choice in CD
recording with audio professionals the world over. Recording on both conventional write-once CD-R media and CD-RW rewritable discs, the CDR850 uses four
simple record modes and a logical, intuitive menu system to make CD recording as easy as cassette or DAT recording. With precision converters and
advanced circuit design ensuring excellent sound quality, the CDR850 is engineered without compromise for a lifetime of professional studio use.
A comprehensive array of input and output connectors is provided; both balanced XLR and unbalanced RCA phono analog line inputs and outputs, optical and
coaxial SPDIF digital inputs and outputs and an AES/EBU digital input. The output level from the CDR850 is switchable from +4dBu to -8dBu via the front
panel menu, providing flexibility when connecting to other audio equipment, both professional and consumer. The digital output may also be switched off
from the menu.
The CDR850 has four recording modes available. Modes 1 and 2 are manual analog and digital, where the CDR850 behaves in a similar way to a conventional
cassette deck. Modes 3 and 4 are digital synchro modes, in which all CD, DAT, MD, DVD and DCC index points are automatically transferred to CD tracks
during recording. Audio may be recorded track by track, or an entire disc at once. The CDR850 can be set to automatically trigger a new track number when
the audio input reaches a certain level, or track starts can be entered manually by pressing the front panel button. Copying of index points is also
allowed when recording from sample CDs, where there may be a new index point every few seconds in each track. The auto finalize function enables a table
of contents (TOC) to be automatically written on the disc, making the recorded CD playable on any consumer CD player.
An on-board sample rate converter accepts incoming digital signals from 32-48kHz, making the CDR850 ideal for use when cloning from digital audio
workstations, 32kHz or 48kHz DATs and professional varispeed CD players. The sample rate converter may also be switched off to allow a 44.1kHz digital
input to be recorded unprocessed.
The flexible SCMS (Serial Copy Management System) employed by the CDR850 provides total control over copy protection status. As this is a professional
recorder, the copy protection status at the digital input is ignored, but can be set on the recorded disc. With copy protection enabled, the material on
your disc can’t be copied. The copy protection status can also be set to allow only one copy or multiple copies.
Many other features are also accessible through the CDR850’s front panel, including fade in / out, and an auto pause function, where the recorder can be
set to pause after playing a track. This feature will be indispensable to broadcasters, since it provides a way of ensuring perfect playback of the
required track. Tracks may also be accurately cued up for replay. Constant status feedback is provided at a glance by a large LED above the CD tray;
lighting green when in play, red when recording and orange when erasing rewritable media.
• Uses low-cost CD-R and rewritable CD-RW discs
• All functions easily accessible from the front panel
menu
• Four one-touch recording modes; 2 manual,
2 automatic
• Switchable sample rate converter accepts any
sampling frequency from 32kHz to 48kHz, including
varispeed
• Copies all CD, DAT, MD, DVD and DCC track starts
• Complete user control over SCMS
• Balanced XLR and unbalanced RCA phono
analog I/O
• +4dBu / -8dBu switchable balanced analog outputs
• AES/EBU input and SPDIF digital I/O
(coaxial and optical)
• Auto finalize function
• Level margin indicator with 1dB increments
• Tri-coloured LED to indicate play, record and erase
status
• Playback auto pause facility
• Four levels of erase for CD-RW
• Full infra-red remote control supplied
• 2U rack-mountable
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - PSK E4U 4-Space Rack (Blue)
$350.00 $189.00 On-Sale
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PSK E4U 4-Space Rack
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Contents of this Lot:
• Lot Quantity Available: 1
• Heavy Duty Flight Case Rack
• 4-space Total
• Outside Color: Blue
• Front Door Removes
• Back Door Removes
Overall Condition: Excellent
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THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Neumann KMS-105 Microphone Black (4)
$3,992.00 $2,399.00 On-Sale
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Neumann KMS-105 Microphone (#1)
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Neumann KMS-105 Microphone (#2)
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Neumann KMS-105 Microphone (#3)
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Neumann KMS-105 Microphone (#4)
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Neumann KMS-105 Package
(pictured in silver, color is black)
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Neumann KMS-105 Microphones
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Contents of this Lot:
• Lot Quantity Available: 1
• (4) Neumann KMS-105 Microphones
• (4) Microphone Clips
• Color for All Microphones: Black
#1 Condition: Excellent (used 1 show)
#2 Condition: Brand New (never used)
#3 Condition: Brand New (never used)
#4 Condition: Brand New (never used)
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Neumann KMS-105 Microphones
Designed with superlative vocal reproduction in mind, the KMS 105
brings Neumann quality to the demanding sound reinforcement environment.
With its super-cardioid polar pattern, low self noise and
colorless off-axis pickup, the KMS 105 complements in-ear monitor
systems. By employing a unique triple acoustic filter, The KMS 105
minimizes popping and wind noise, and with special mechanical and
electrical filters, handling noise is virtually eliminated. Because of the
superior resolution and linear high frequency response, it is very easy
for the artist using the KMS 105 to identify whether he or she is “on
mic”.
Acoustic features:
When compared to other handheld vocal microphones, the KMS
105 offers a superior resolution of the voice, with extended frequency
response and accurate transient detail. Sibilance problems common
to other handheld condenser mics are eliminated. No foam is used in
the basket, thus eliminating any “clouding” or “muffling” of the sound.
Also, by using a studio grade DC-polarized condenser capsule, all
the nuances of the voice come through with subtlety, power and
focus.
The K55 capsule was developed from the famous K50, found in the
KMS 150, KM 150 and KM 185 microphones. This new version
features a super-cardioid pattern, achieved by specially modifying
the response of the K50 pressure gradient transducer. The frequency
response characteristic is developed in the acoustic realm, allowing
for accurate representation of transient details found in music and
speech, and thus transmitting a very “open” and detailed capture of
the human voice. Due to the tight super-cardioid polar pattern and the distortion-free off axis response, a very high level of gain
before feedback is achieved. This polar pattern offers the highest degree of isolation while still allowing for a
generous “sweet spot” in front of the microphone.
Electrical features:
The dynamic range of the KMS 105 is 127 dB, allowing reproduction of the artist’s full expression, without
restraint. With a low self noise of 18 dB-A, a greater gain can be used without risk of adding noise to the mix.
This way, the artist is able to use the microphone at a greater distance therefore maintaining a wide range of
creative freedom during the performance.
Because of the superior resolution and linear high frequency response, it is very easy for the artist using in-ear
monitors to identify whether or not he or she is “on mic” with the KMS 105. And by employing a transformerless
output circuit, this microphone can incorporate long cable runs with no loss of signal quality or high-frequency
response.
Mechanical features:
Microphones designed for use on stage require a particularly
robust construction. The KMS 105
therefore has a thick-walled metal housing, which also provides
effective protection against handling noise.
The microphone headgrill is made of hardened steel. If
required, they can easily be unscrewed to permit cleaning
of the interior acoustic filters.
• Type: Type DC-polarized condenser
• Directional pattern: Super-cardioid
• Acoustic operating principal: Pressure gradient
• Frequency range: 20 - 20,000 Hz
• Sensitivity: 4 mV/Pa
• Rated impedance: 50 ohms
• Self Noise: 18 dB-A (DIN/IEC 651)
• S/N ratio re. 1 Pa @ 1kHz: 76 dB (A weighted)
• Max SPL for 0.5% THD: 145 dB SPL
• Total dynamic range of amplifier: 127 dB
• Powering: 48 volt phantom (IEC 1938)
• Current consumption: 3 mA
• Dimensions:
• Diameter - 48 mm
• Length - 178 mm
• Weight - 300 g
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Behringer Intelligate XR-2000 2-CH Pro Compresser/Limiter
$500.00 $299.00 On-Sale
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XR2000 Front
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XR2000 Front
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XR2000 Rear
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Behringer XR2000
2-CH Compressor/Liniter/Gate
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Contents of this Lot:
• Lot Quantity Available: 1
• (1) Behringer XR2000
Overall Condition: Excellent
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Behringer XR2000 2-CH Compressor/Liniter/Gate
• 2-CH of Compresser
• 2-CH of Limiter
• 2-CH of Gate
• Ultra-fast gate (< 3 µsec.) employing the UTR
(Ultra Transient Response) circuit
• No clicks or pops, regardless of attack speed
• High-performance Class-A VCA
• BEHRINGER's extremely low-noise audio op-amps
• Ultra-low distortion
• 100 dB of attenuation
• Servo-balanced inputs and outputs
• IRC (Interactive Ratio Control) expander circuit
eliminates "chatter" on or around the threshold point
• Relay controlled hard-bypass with auto-bypass
function during power failure (failsafe relay)
• Cut-in delay to avoid switch-on thumps
• High precision key filters for frequency selective
operation
• Key external and key listen facilities
• Accurate gain reduction meter
• Illuminated switches
• 41 detent potentiometers
• XLR and 1/4" jack connectors
• High-performance output transformer
BEHRINGER OT-1 retrofittable
• Manufactured under ISO9000 certified management
system
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
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Pro Audio - Complete 400-Watt Small PA System
$3,500.00 $1,999.00 On-Sale
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Complete 400-Watt Small PA System
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Complete 400-Watt Small PA System
This is a nice little PA System. Lots of uses.
Light weight, making it easy to move around.
Sets-up fast. Very powerful. Easy to use.
And sounds great too!
Just Perfect for:
• Small Bands
• Coffee House Acts
• Company Board Meetings
• Lectures
• Dances
• DJ's
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Main Equipment:
• Yamaha EMX-640 Mixing Console Self-Powered
(6) XLR Mic Input Channels
(8) Line Input Channels
(2) Line Inputs for CD or Cassette
(1) 200-Watts FOH Amp Channel
(1) 200-Watts MON Amp Channel
(1) 7-Band EQ on FOH Channel
(1) 7-Band EQ on MON Channel
(1) Easy Carry Handle
• Yamaha S112IV Full-Range Speaker Cabinet
FOH 2-Way Passive Cabinet 400-Watts total
(1) 12" Low Driver 300-Watts
(1) 2" Titanium High Driver 100-Watts
90° x 45° 90 x CD Horn
(2) Heavy Duty Handles for Easy Lifting
(2) NL4 Input Connectors (wired in parallel)
(2) 1/4" Input Connectors (wired in parallel)
Built-In Cross-over
25"(T)x 16"(W)x 14"(D)
43 Lbs Each
60 Hz to 16 kHz
Contents of This System:
• (2) Speaker Cabinets - Yamaha S112IV Full-Range
• (2) Speaker Stands - Ultimate TS-70B (Black)
• (2) Speaker Cable - Rapco NL4-NL4 25-Ft
• (1) Mixing Console - Yamaha EMX-640 Self-Powered
• (4) Microphone Cable - Rapco HD PRO 35-Ft
• (4) Microphone - AKG D3700S (with on/off switch)
• (4) Microphone Clip - Beyer MKV6 (Black)
• (4) Microphone Disconnect - Shure L02 (Chrome)
• (3) Microphone Desk Stand - Atlas DS-7 (Black)
• (1) Microphone Stand - Ultimate MC-07B (Black)
• (1) Power Cable - 125-Volt 10-Amp 25-Ft
• (1) Microphone Boom - Ultimate 21120B (Black)
• (1) Road Case - Cabbage Cases Heavy Duty (Grey)
• (1) Toolbox Case - Small Plastic
• (1) 3-Way Power Adapter - 125-Volt 15-Amp
• (1) Ground-Fault Tester - 125-Volt AC
• (1) Mini Scissors
• (1) Sharpie Marker (Black)
• (1) Bic Ink Pen (Blue)
• (1) Note Pad 5x7
• (1) Console Tape 1in White
• (1) Gafers Tape 2in Black
• (3) Trash Bags 55-Gal (emergency rain covers)
• (100) 8in Tie-Wraps (Black)
• (1) Small Side-Cutters (for Tie-Wraps)
• (1) Microphone Adapter - Whirlwind Phase Reverse
• (1) Alcohol Spray Bottle 1oz (microphone disinfectant)
Overall Condition of Everything:
Excellent (on a scale of 1 to 10) 8
All equipment has been tested.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
This item must ship UPS in (6) boxes.
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Small Toolbox Case Contents:
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Pro Audio - Rack #12 - QSC/JBL 4-CH PA/Monitor System
$11,000.00 $7,999.00 On-Sale
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Rack #12 - QSC/JBL 4-CH PA/Monitor System
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Drawer #01
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Drawer #02
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Stage Monitor Speaker Cabinets
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Rack #12 - QSC/JBL 4-CH PA/Monitor System
The Back door stays on during the performance.
The Front door will need stored during the performance.
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Contents of Rack:
• (1) CabbageCases HD 17-Space Rack Case w/Casters
• (1) Furman Sound PL-PRO 20-Amp Power Conditioner
with (2) Light Modules
Drawer #01 3-Space
• (1) Middle Atlantic D3 Rack Drawer 3-Space
The following is removed for use in the performance:
• (1) Rapco NL4 Speakon Cable 15-Ft
• (1) Rapco NL4 Speakon Cable 20-Ft
• (1) Rapco NL4 Speakon Cable 25-Ft
• (1) Rapco NL4 Speakon Cable 35-Ft
Drawer #02 3-Space
• (1) Middle Atlantic D3 Rack Drawer 3-Space
• (4) NL4MM NL4F-to-NL4F Adapters
The following is removed for use in the performance:
• Rack Power Cable 25-Ft
• (1) QSC PL-1.6HVX bi-Amp Power Amp (Monitor CH-1)
• (1) QSC BSC-2 Daughter Board
• (1) QSC UF-2 Cross-over Card
• (1) QSC PL-1.6HVX bi-Amp Power Amp (Monitor CH-2)
• (1) QSC BSC-2 Daughter Board
• (1) QSC UF-2 Cross-over Card
• (1) QSC PL-1.6HVX bi-Amp Power Amp (Monitor CH-3)
• (1) QSC BSC-2 Daughter Board
• (1) QSC UF-2 Cross-over Card
• (1) QSC PL-1.6HVX bi-Amp Power Amp (Monitor CH-4)
• (1) QSC BSC-2 Daughter Board
• (1) QSC UF-2 Cross-over Card
• (1) Middle Atlantic 2-Space B2 Blank Panel
• (1) Main NL3 Rack Power-In Connector
• (8) Bi-Amped NL4 Speaker Output Connectors
(wired in pairs)
• (4) Amplifier XLR Input Connectors
Stage Monitor Speaker Cabinets
• (4) JBL/HurricaneAudio Monitor Cabinets
JBL 12" Woofer 600-Watts
JBL 1" Horn Driver 150-Watts
JBL 100'x100'Bi-Radial Horn
Bi-Amped
Bi-Tuned (2 different ports tuned to different frequencies)
Gray Carpet Covered
Cabinet built by Hurricane Audio.
(2) Neutrik NL4 Connectors on each end (wired pass-thru)
This cabinet can be placed 5 different positions.
Position 1 - Stand on End
Position 2 - Stand on End on top of Pole Stand
Position 3 - Sideways 0'
Position 4 - Sideways 45'
Position 5 - Sideways 60'
Overall Condition of Everything:
Excellent (on a scale of 1 to 10) 8
All equipment has been tested.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
This item must ship TRUCK in (5) boxes.
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Pro Audio - Rack #11 - ADAT 24-CH Recording Rack
$11,500.00 $6,999.00 On-Sale
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Rack #11 - ADAT 24-CH Recording Rack
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Drawer #01
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ADAT BRC Large Remote
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Quick-Lok Stand
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Rack #11 - ADAT 24-CH Recording Rack
These (3) three Alessis ADAT-XT 8-CH Digital Machines can be linked together to make one 16-CH or one 24-CH
Machine.You have a choice of (2) Two remote controllers. The Small Remote only has transport controls and a 6-Ft 1/4" cable. You can park it on the
console. The Large Remote BRC has Full Machine Control and sits on top of the ADAT rack. The bottom patch panel has all of the inputs and outputs on it.
When using this rack, all access is thru the front.
The Back door stays on during the performance.
The Front door will need stored during the performance.
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Contents of Rack:
• (1) CabbageCases HD 17-Space Rack Case w/Casters
• (1) Furman Sound PL-PRO 20-AMP Power Conditioner
• (3) Alesis ADAT-XT 8-CH digital Recorder/Player
• (1) Middle Atlantic 2-Space BL2 Blank Panel
Drawer #01 3-Space
• Middle Atlantic D3 Rack Drawer 3-Space
• (12) Maxcell VHS Cassette Tapes - Blank
• (2) Bic Blue Ink Pens
• (2) Sharpie Black Markers
• (2) 1" Console Tape
• (1) Calculator
• (1) Mini Scissors
The following is removed for use in the performance:
• (1) Rack Power Cable 25-Ft
• (3) Rapco 8-CH ADAT Multi-Pin Patch Cable
• (1) Alesis BRC Patch Cable 25-Ft
• (1) Alesis Small Remote Transport Controller
Bottom Patch Panel
• Middle Atlantic D3 Rack Drawer 3-Space
• (1) Middle Atlantic 2-Space FK2 Patch Panel System
• (3) ADAT Multi-pin connectors
• (1) ADAT Large BRC Remote connector
• (2) ADAT Small Remote connectors
• (4) 125-Volt outlets
• (1) Rack Power-In Connector
Extra Equipment Included:
• (1) Alesis ADAT BRC Large Remote Controller
• (1) Alesis ADAT BRC Cable DB9-DB9-25FT (Black)
• (1) Quick-Lok Remote Controller Stand w/wheels
Overall Condition of Everything:
Excellent (on a scale of 1 to 10) 9
All equipment has been tested.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
This item must ship TRUCK in (3) boxes.
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WHAT THIS LOGO MEANS:
This item cannot be shipped via USPS.
This item Must Ship via UPS or SIMI-TRUCK.
To best serve you, we will contact you via Phone, after you place your order with more accurate shipping charges.
Your credit card will not be charged "Shipping Charges" until we talk to you.
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40ch SERIES-2 SOUNDCRAFT • DRIVERACK DIGITAL • CROWN • EAW
TC ELECTRONICS • YAMAHA • BSS • SHURE • AUDIX • SENNHEISER
BSS • WHIRLWIND • ALLEN&HEATH • QSC • JBL • 24ch ADAT • MACKIE
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