Located in Newark Ohio, just 30 minutes east of Columbus.
Hurricane Audio
PO BOX 741
Newark, OH 43058-0741
(740) 522-6778
email: HurricaneAudio@oliveoyls.com
Extra Equipment
For-Sale
Pro Audio - Neumann KMS-105 Microphone Black (4) $3,992.00$1,599.00On-Sale
Neumann KMS-105 Microphone (#1)
Neumann KMS-105 Microphone (#2)
Neumann KMS-105 Microphone (#3)
Neumann KMS-105 Microphone (#4)
Neumann KMS-105 Package
(pictured in silver, color is black)
Neumann KMS-105 Microphones
Contents of this Lot:
• Lot Quantity Available: 1
• (4) Neumann KMS-105 Microphones
• (4) Microphone Clips
• Color for All Microphones: Black
#1 Condition: Excellent (used 1 show) #2 Condition: Brand New (never used) #3 Condition: Brand New (never used) #4 Condition: Brand New (never used)
Neumann KMS-105 Microphones
Designed with superlative vocal reproduction in mind, the KMS 105
brings Neumann quality to the demanding sound reinforcement environment.
With its super-cardioid polar pattern, low self noise and
colorless off-axis pickup, the KMS 105 complements in-ear monitor
systems. By employing a unique triple acoustic filter, The KMS 105
minimizes popping and wind noise, and with special mechanical and
electrical filters, handling noise is virtually eliminated. Because of the
superior resolution and linear high frequency response, it is very easy
for the artist using the KMS 105 to identify whether he or she is “on
mic”.
Acoustic features:
When compared to other handheld vocal microphones, the KMS
105 offers a superior resolution of the voice, with extended frequency
response and accurate transient detail. Sibilance problems common
to other handheld condenser mics are eliminated. No foam is used in
the basket, thus eliminating any “clouding” or “muffling” of the sound.
Also, by using a studio grade DC-polarized condenser capsule, all
the nuances of the voice come through with subtlety, power and
focus.
The K55 capsule was developed from the famous K50, found in the
KMS 150, KM 150 and KM 185 microphones. This new version
features a super-cardioid pattern, achieved by specially modifying
the response of the K50 pressure gradient transducer. The frequency
response characteristic is developed in the acoustic realm, allowing
for accurate representation of transient details found in music and
speech, and thus transmitting a very “open” and detailed capture of
the human voice. Due to the tight super-cardioid polar pattern and the distortion-free off axis response, a very high level of gain
before feedback is achieved. This polar pattern offers the highest degree of isolation while still allowing for a
generous “sweet spot” in front of the microphone.
Electrical features:
The dynamic range of the KMS 105 is 127 dB, allowing reproduction of the artist’s full expression, without
restraint. With a low self noise of 18 dB-A, a greater gain can be used without risk of adding noise to the mix.
This way, the artist is able to use the microphone at a greater distance therefore maintaining a wide range of
creative freedom during the performance.
Because of the superior resolution and linear high frequency response, it is very easy for the artist using in-ear
monitors to identify whether or not he or she is “on mic” with the KMS 105. And by employing a transformerless
output circuit, this microphone can incorporate long cable runs with no loss of signal quality or high-frequency
response.
Mechanical features:
Microphones designed for use on stage require a particularly
robust construction. The KMS 105
therefore has a thick-walled metal housing, which also provides
effective protection against handling noise.
The microphone headgrill is made of hardened steel. If
required, they can easily be unscrewed to permit cleaning
of the interior acoustic filters.
• Type: Type DC-polarized condenser
• Directional pattern: Super-cardioid
• Acoustic operating principal: Pressure gradient
• Frequency range: 20 - 20,000 Hz
• Sensitivity: 4 mV/Pa
• Rated impedance: 50 ohms
• Self Noise: 18 dB-A (DIN/IEC 651)
• S/N ratio re. 1 Pa @ 1kHz: 76 dB (A weighted)
• Max SPL for 0.5% THD: 145 dB SPL
• Total dynamic range of amplifier: 127 dB
• Powering: 48 volt phantom (IEC 1938)
• Current consumption: 3 mA
• Dimensions:
• Diameter - 48 mm
• Length - 178 mm
• Weight - 300 g
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - Sony CDP-C345 5-Disc Player $249.99$91.99On-Sale
Load up to 5 CD discs and press play. That simple!
Includes: (1) 5-Disc Player
(1) Remote Controll #RM-D335
(1) Operating Instructions
Condition = Excellent!!
This Lot includes:
(1) Console
(1) Case with Doghouse
40+4 Input Channels
Used only 5 shows.
Pro Audio - EAW JF80 Speaker Cabinets (Qty=4) $3,400.00$1,749.99On-Sale
This Lot includes (4) Cabinets
Color = White (factory)
2-way Full Range
Sealed Cabinet
2 x 6.5-inch Woofer
1 x 1-inch Tweeter, on Wave Guide Great For:
Portable & Installation
Foreground/Background Music
Fill/Delay
Houses of Worship
Portable PA
Clubs
Ballrooms
Corporate AV
Extra UPS shipping INCLUDED in above price!
Pro Audio - ASHLY GQX-3102 2-CH 31-Band Equalizer (Qty=2) $2,000.00$899.00On-Sale
GQX-3102 Front
GQX-3102 Front
GQX-3102 Left
GQX-3102 Right
GQX-3102 Rear
GQX-3102 Book
(Qty=2) Ashly GQX-3102 2-CH 31-Band Equalizers
Contents of this Lot:
• (2) Ashly GQX-3102 Equalizers
Overall Condition: Excellent
Ashly GQX-3102 2-CH 31-Band Equalizer
The GQX-3102 graphic equalizer features two channels of 31-band 1/3-octave EQ, a tunable high-pass filter circuit (8Hz to 200Hz),
a switch-selectable cut or boost of either 6dB or 15dB. The 45mm full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized
as an “on/off” switch for that filter which minimizes any possible degradation in signal noise levels. A 10-segment, two color LED meter displays accurately displays
your signal level and referenses 0 VU to +4dBu.
The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards and an
extensive ground plane design are used in the filter sections to improve RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing
amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant
“Q” response with no broadening near the “flat” setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used
are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth “feel”. Ashly’s unique “T-Beam” front panel construction
eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel.
Input and output connections include locking XLR, 1/4” TRS and Euroblock. Ashly’s servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected
directly to ground. The power supply is a universal switching power supply which operates from 100-240VAC, 50/60Hz with the power switch located on the rear panel.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - BSS Omnidrive FDS-388 $4,500.00$999.00On-Sale
FDS-388 Front
FDS-388 Front
FDS-388 Left
FDS-388 Center
FDS-388 Right
FDS-388 Rear
FDS-388 Temperature & Humidity Probe
FDS-388 Books
BSS Omnidrive FDS-388 Loudspeaker Management System 2-Inputs 8-Outputs
BSS Omnidrive FDS-388 Loudspeaker Management System
The OMNIDRIVE Loudspeaker Management System represents a radical step forward in DSP processing
for loudspeaker management, incorporating BSS’s vast experience in crossover
design and combining two channels of 4-way crossover, parametric
equalisation, digital delay lines and limiters, and is designed for use in all areas
of sound control. A compact 2U chassis means reduced interconnections
cabling and rack weight, while increasing rack space availability. Major
facilities include password protection, automatic correction for HF response
with humidity and delays with temperature.
The user front-end is remarkably simple, combining a real-time graphical
display with an analogue-like output control section with led meters for full
indication of system performance. The screen shows crossover response, EQ
curves plus delay and limiter data in high-resolution graphics. System settings
can be stored in up to 60 user memories, for quick and easy setup.
The crossover sections can be configured as stereo 2, 3 or 4 way, with the
option of setting one stereo band as a mono-lo output for sub-bass processing.
Various filter types may be selected with slopes of 12, 18 or 24dB per octave.
Parametric EQ is provided as two sections of fully adjustable EQ per band of
processing, one section being optionally configured as a 0-180 degree
adjustable phase control, with polarity switching as standard through a
separate independent function. The EQ range is 15Hz to 16kHz, gain
adjustable +/- 15dB, with a Q from 0.05 to 3 octaves, switchable between bell
or shelving response.
The limiters are located mid-band, an optimal configuration originated by BSS
and now widely adopted. Each band also incorporates a delay line, with
adjustable delay in unusually fine 10 microsecond steps up to 650 milliseconds
and displayed and adjusted in feet, metres or milliseconds.
PCMCIA card slot:
Two types of file can be stored and recalled using a standard PCMCIA 'smart'
card. Files can contain individual programs or a complete record of all the
FDS-388 data.
Other Features:
Data Archive to PCMCIA memory card.
Optional Digital I/O cards.
Optional Humidity / Temperature probe for auto correction system.
MIDI Interface / Open Architecture port.
2 - Inputs
8 - Outputs
This unit can also be controlled by a BSS Varicurve Remote Controller too!
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - BSS Varicurve 2-ch Digital Equalizer System $7,000.00$2,499.00On-Sale
FCS-926 Front
FCS-926 Left
FCS-926 Center
FCS-926 Right
FCS-926 Rear
FPC-900R Top
FPC-900R Front
FPC-900R Rear
FPC-900R Carry Bag
FPC-900I PSU
FPC-900R Live, this is a dream to use!
FPC-900 Book
FCS-926 Book
Bss Varicurve FCS-926 2-CH 31-Band Digital Equalizer
Contents of this Lot:
• Lot Quantity Available: 1
• (1) FCS-926 2-ch Digital Equalizer
• (1) FPC-900R Remote Controller
• (1) FPC-900I Remote Controller Interface
• (1) PCMCIA Memory Card
• (1) Remote Control Storage Bag
• (1) EQ Book
• (1) Remote Book
Overall Condition: Excellent
Bss Varicurve FCS-926 2-CH 31-Band Digital Equalizer
The Varicurve system of audio equalizers utilises a large, high definition graphics screen and
digital techniques to give an intuitive interface between the user and control of high quality
analogue filters. The FCS-926 is a dual channel parametric filter equaliser offering a total of 12
individual parametric filters and a 30 band Real Time Analyser (RTA) with pink noise source.
The Varicurve multiband equalization system creates a more accurate and sonically superior
composite EQ contour than conventional manual or programmable graphic equalizers whilst
offering the added advantages of program memories, Midi and computer control.
A fully professional design that is the result of BSS Audio's long experience in creating industry
standard audio products, makes the VaricurveTM system a natural upgrade from conventional
graphic and parametric equalizers currently specified for various audio production
environments.
Some of the features offered within the FCS-926 are:
* Two separate channels of six band parametric equalization which can operate independently,
or as a stereo linked pair. A MONO mode reconfigures the system as a single channel twelve
band parametric equalizer.
* All bands continuously variable from 20Hz to 20kHz, with bandwidth adjustment from 2
octaves to 0.1 octave. Cut and boost are variable between +/-15dB with a deep Notch
available on each band.
* Non reciprocal asymmetric cut/boost creates a more selective cut profile at any width setting.
* Peak fix mode holds boost or cut centres of each filter constant to minimize filter interaction.
* Large high contrast brightly backlit LCD screen graphically displays the composite EQ curve,
with numerical read-out of control settings for the band being adjusted.
* Integral RTA 30 band spectrum analyzer with pink noise generator and featuring a phantom
powered mic input, peak or RMS response and selectable decay characteristics.
* Auto EQ mode links RTA analysis and equalization processes to provide a sophisticated room
tuning facility which can automatically EQ a room to flat or to a stored preset room curve.
* Fifty program memory presets for stereo EQ set-ups, a further six program memories for
preset room curves and six memories for RTA analysis results.
* Comprehensive external control facilities include Midi, PA-422 and proprietary FSK for
control by the BSS FPC-900 VaricurveTM remote controller.
* Electronically balanced inputs and outputs with optional internally fitting transformers.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - Behringer Intelligate XR-2000 2-CH Pro Compresser/Limiter $500.00$249.00On-Sale
XR2000 Front
XR2000 Front
XR2000 Rear
Behringer XR2000 2-CH Compressor/Liniter/Gate
Contents of this Lot:
• Lot Quantity Available: 1
• (1) Behringer XR2000
Overall Condition: Excellent
Behringer XR2000 2-CH Compressor/Liniter/Gate
• 2-CH of Compresser
• 2-CH of Limiter
• 2-CH of Gate
• Ultra-fast gate (< 3 µsec.) employing the UTR
(Ultra Transient Response) circuit
• No clicks or pops, regardless of attack speed
• High-performance Class-A VCA
• BEHRINGER's extremely low-noise audio op-amps
• Ultra-low distortion
• 100 dB of attenuation
• Servo-balanced inputs and outputs
• IRC (Interactive Ratio Control) expander circuit
eliminates "chatter" on or around the threshold point
• Relay controlled hard-bypass with auto-bypass
function during power failure (failsafe relay)
• Cut-in delay to avoid switch-on thumps
• High precision key filters for frequency selective
operation
• Key external and key listen facilities
• Accurate gain reduction meter
• Illuminated switches
• 41 detent potentiometers
• XLR and 1/4" jack connectors
• High-performance output transformer
BEHRINGER OT-1 retrofittable
• Manufactured under ISO9000 certified management
system
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - CabbageCases 21+21 Space Rack $1,500.00$399.00On-Sale
Cabbage Cases Double Rack
Cabbage Cases 21+21 Space Double Rack
Contents of Rack:
• CabbageCases HD 21+21 Space Rack Case w/Casters
Side by Side 21-Space + 21-Space Slanted Racks
Inside rack made from 3/4" Birch Plywood
painted black then polyurethaned.
• HD Waterproof Cover (included)
• Heavy Duty Flight Case Rack
• Four (4) Locking Casters
• 42-space Total
• Slanted Front
• Two Side-by-Side Racks in one Case
• Outside Color: Gray
• Front Door Removes
• Back Door is Hinged on Right Side
• Size: 23.50" (Deep)(Closed)
• Size: 45.75" (Wide)
• Size: 48.75" (Tall)
• Size: 21U (Rack Left)
• Size: 21U (Rack Right)
• Weight: 100 lb Empty (estimate)
• This Double Rack is Double Empty!
• This Double Rack is Double Empty!
• This Double Rack is Double Empty!
Overall Condition of the Rack and Contents: Excellent
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - Complete 400-Watt Small PA System $3,500.00$1,999.00On-Sale
List #11 - Complete 400-Watt Small PA System
Complete 400-Watt Small PA System
This is a nice small PA System. Lots of uses!
Light weight, making it easy to move around.
Sets-up fast. Very powerful. Easy to use.
And sounds great too!
Just Perfect for:
• Small Bands
• Coffee House Acts
• Company Board Meetings
• Groundbreaking Ceremonies
• Lectures
• Dances
• DJ's
Main Equipment:
• (1) Yamaha EMX-640 Self-Powered Mixing Console
(6) XLR Mic Input Channels
(8) Line Input Channels
(2) Line Inputs for CD or Cassette
(1) 200-Watts FOH Amp Channel
(1) 200-Watts MON Amp Channel
(1) 7-Band EQ on FOH Channel
(1) 7-Band EQ on MON Channel
(1) Easy Carry Handle
• (2) Yamaha S112IV Full-Range Speaker Cabinet
FOH 2-Way Passive Cabinet 400-Watts Total
(1) 12" Low Driver 300-Watts
(1) 2" Titanium High Driver 100-Watts
90° x 45° 90 x CD Horn
(2) Heavy Duty Handles for Easy Lifting
(2) NL4 Input Connectors (wired in parallel)
(2) 1/4" Input Connectors (wired in parallel)
Built-In Cross-over
25"(T)x 16"(W)x 14"(D)
43 Lbs Each
60 Hz to 16 kHz
• (1) Toolbox Case - Small Plastic
• (1) 3-Way Power Adapter - 125-Volt 15-Amp
• (1) Ground-Fault Tester - 125-Volt AC
• (1) Mini Scissors
• (1) Sharpie Marker (Black)
• (1) Bic Ink Pen (Blue)
• (1) Note Pad 5x7
• (1) Console Tape 1in White
• (1) Gafers Tape 2in Black
• (3) Trash Bags 55-Gal (Emergency Rain Covers)
• (1) Small Side-Cutters (For Tie-Wraps)
• (100) 8in Tie-Wraps (Black)
• (1) Microphone Adapter - Whirlwind Phase Reverse
• (1) Alcohol Spray Bottle 1oz (Microphone Disinfectant)
CabbageCases HD Case
• Heavy Duty Flight Case
• One (1) Dish Handle
• Outside Color: Gray
• Lid is Hinged on back
• Size: __.__" (Deep)(Closed)
• Size: __.__" (Wide)
• Size: __.__" (Tall)
• Weight: ___ lb Full (estimate)
Overall Condition of Everything:
Excellent (on a scale of 1 to 10) 8
All equipment has been tested.
Pro Audio - Furman Sound PL-PLUS Power Conditioner $275.00$99.00On-Sale
Furman Sound PL-PLUS Front
Furman Sound PL-PLUS Back
Furman Sound PL-PLUS Power Conditioner and Light Module
Contents of this Lot:
• Lot Quantity Available: 1
• (1) Furman Sound PL-PLUS
Overall Condition: Excellent
Furman Sound PL-PLUS Power Conditioner and Light Module
The PL-8 Power Conditioner and Light Module is the perfect
accessory to any equipment rack, providing the basic power protection
essential to every audio or video system. Install a PL-8 in the top slot
of your rack, and the eight switched AC outlets on the rear panel will
power up all your equipment while its two slide-out light fixtures provide
discreet illumination of their controls on stages, in studios, or in any dark
place. A dimmer control lets you adjust the lamp brightness to just the
right level.
The PL-8 protects your delicate electronic equipment by combining
a high voltage surge and transient suppressor with an RFI/EMI
interference filter. The fast-acting suppression circuit responds in
nanoseconds, clamping spikes and surges to safe levels. The filter
works to prevent noise from fluorescent lights, electric motors, radio
transmitters, and similar sources of “electronic pollution” from leaking
from the AC line into sensitive analog or digital circuits.
The PL-8’s lamps come supplied with 7 watt night-light bulbs.
Replacements are readily available in 4 watt or 7 watt sizes at most
supermarkets and hardware stores. Colored Christmas tree bulbs may
also be used. Bulbs are easily replaced without removing the unit from
the rack by unscrewing the cap on the end of each light tube.
The PL-8 has a master switch for the rear outlets that glows red
when the power is on. There is also a separate switch for the lamps,
allowing you to check your equipment settings before applying power to
it. The front-panel circuit breaker can be easily and quickly reset should
the PL-8 be overloaded. Model PL-PLUS is an enhanced version of
the PL-8, offering improved noise filtering and an AC voltmeter.
The 20 LED bar-graph voltmeter reads from 90 to 128
volts in 2-volt steps. The normal range voltages are
indicated in green, with moderately and extremely
high or low voltages in yellow and red respectively.
The voltmeter’s accuracy is ±2 volts. It can easily be
recalibrated if necessary. The PL-PLUS also features
a longer, 10 foot heavy-duty 14 gauge power cable.
In addition, it offers a sophisticated RFI filter network
with a greatly improved capacity for stopping line
noise. This filter incorporates a toroidal inductor and
three high-voltage capacitors to achieve a commonmode
noise attenuation of over 50 dB at 10 MHz (see
graph overleaf below).
SPECIFICATIONS
Current rating: 15 Amps
Input Voltage: 85 to 135 VAC
Voltmeter Accuracy: ±2 VAC
Spike Protection Modes:
Line to neutral
neutral to ground
line to ground
Response time: 1 nanosecond
Maximum surge current: 6,500 Amps
Maximum spike energy:
80 Joules per mode
240 Joules total protection
Mechanical:
Dimensions: 1.75” H x 19” W x 8” D
Weight: 6 lbs
Power Consumption: 20 Watts
Safety Agency Listings:
UL, CUL, CE, NRTL-C
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - PSK E4U 4-Space Rack (Blue) $350.00$99.00On-Sale
PSK E4U 4-Space Rack
PSK E4U 4-Space Rack
Contents of this Lot:
• Lot Quantity Available: 1
• Heavy Duty Flight Case Rack
• 4-space Total
• Outside Color: Blue
• Front Door Removes
• Back Door Removes
(3) ADAT 8-Ch Snake Cables 15-Ft
(3) mounted in ADAT Rack (female)
(3) mounted in Soundcraft Console Case (male)
Quick-Lok Stand
Use with BRC Remote
Drawer #01
Middle Atlantic D3 3-Space Rack Drawer
Rack #11 - ADAT Recording Rack 24-CH
These (3) three Alesis ADAT-XT 8-CH Digital Machines can be linked together to make one 16-CH or one 24-CH Machine.You have a
choice of (2) Two remote controllers. The Small Remote only has transport controls and a 6-Ft cable and 1/4" connector, you can park it on the concole. The Large Remote BRC
has Full Machine
Control and sits on top of the ADAT rack. On the bottom patch panel, there are
(3) ADAT Multi-pin connectors,
(1) ADAT Large BRC Remote connector,
(2) ADAT Small Remote connectors,
(4) 125-Volt outlets and
a Rack Power Input connector.
The Back door stays on during the performance.
The Front door will need stored during the performance.
Contents of Rack:
• CabbageCases HD 17-Space Rack Case w/Casters
Inside rack made from 3/4" Birch Plywood
painted black then polyurethaned.
• Heavy Duty Flight Case Rack
• Four (4) Locking Casters
• Eight (8) Dish Handles
• 17-space Total
• Outside Color: Gray
• Front Door Removes
• Back Door is Hinged
• Size: 24.00" (Deep)(Closed)
• Size: 23.50" (Wide)
• Size: 40.25" (Tall)
• Size: 17U
• Weight: ____ lb Empty (estimate)
• (1) Furman Sound PL-PRO Power Conditioner
• (1) Alesis ADAT-XT 8-CH Digital Recorder Ch1-Ch8
• (1) Alesis ADAT-XT 8-CH Digital Recorder Ch9-Ch16
• (1) Alesis ADAT-XT 8-CH Digital Recorder Ch17-Ch24
• (1) Middle Atlantic 2-Space BL2 Blank Panel
Drawer #01 3-Space
• (1) Middle Atlantic D3 3-Space Rack Drawer
• (1) LittleLite 18XR-HI-4PIN 18" Gooseneck Light
(Light for the top of the Effects Rack and the DBX Remote)
• (12) Sony VHS Cassette Tapes (Blank)
• (2) Bic Blue Ink Pens
• (2) Sharpie Black Markers
• (2) 1" Console Tape
• (1) 5"x8" Paper Tablet (White)
• (1) Calculator
• (1) Scissors
• (1) Rack Power Cable 10-Ft
The following is removed for use in the performance:
• (1) ADAT Recording Rack - Power Cable 10-Ft
• (3) Rapco 8-CH ADAT Patch Cable with Multi-Pin
• (1) Alesis BRC Patch Cable 25-Ft
• (1) Alesis Small Remote Transport Controller
This Rack powers the (4) JBL/LESCO Speaker Cabinets.
Use this rack as a monitor rack.
Connect (4) XLR mixes in.
Connect (1) Power Cable,
Connect (4) Speaker cables,
Connect the speakers,
And you are ready to go!
These are Bi-Amped amplifiers. They have one large wattage channel and one small wattage channel.
They also have a Cross-Over & Horn EQ Card installed, and are pre-set for the JBL/LESCO built Bi-Amped Bi-Tuned speaker cabinets.
Bi-Amped = The 2-way cross-over comes before the ampifier, not after.
Bi-Tuned = 2 different ports, tuned to two different frequencies.
Furman Sound PL-PRO
QSC PL-1.6HVX Front
QSC PL-1.6HVX Rear
(4) JBL/LESCO Monitor Cabinets
(1) LESCO QSC Rack Power Cable 25-Ft
(Belden/Powercon/Hubbell)
Rack #12 - QSC 4-CH Monitor System
The Back door stays on during the performance.
The Front door will need stored during the performance.
Contents of Rack:
• CabbageCases HD 17-Space Rack Case w/Casters
Inside rack made from 3/4" Birch Plywood
painted black then polyurethaned.
• Heavy Duty Flight Case Rack
• Four (4) Locking Casters
• Eight (8) Dish Handles
• 17-space Total
• Outside Color: Gray
• Front Door Removes
• Back Door is Hinged
• Size: 24.00" (Deep)(Closed)
• Size: 23.50" (Wide)
• Size: 40.25" (Tall)
• Size: 17U
• Weight: ____ lb Empty (estimate)
• (1) Furman Sound PL-PRO Power Conditioner
Drawer #01 3-Space
• (1) Middle Atlantic D3 3-Space Rack Drawer The following is removed for use in the performance:
• (1) Rapco NL4 Speakon Cable 15-Ft
• (1) Rapco NL4 Speakon Cable 20-Ft
• (1) Rapco NL4 Speakon Cable 25-Ft
• (1) Rapco NL4 Speakon Cable 35-Ft
Drawer #02 3-Space
• (1) Middle Atlantic D3 3-Space Rack Drawer
• (4) NL4MM Adapter NL4F-to-NL4F
• (4) Rapco Microphone Cable 35-Ft (Black Ends) The following is removed for use in the performance:
• (1) Rack Power Cable 25-Ft
• (1) QSC PL-1.6HVX Bi-Amp Power Amp (Monitor CH-1)
Installed Card: QSC BSC-2 BusCard
Installed Card: QSC UF-2 2-Way Cross-Over Card
CH-1: 1100 Watts 4 ohms - 725 Watts 8 ohms
CH-2: 500 Watts 4 ohms - 300 Watts 8 ohms
Connect (1) or (2) JBL/LESCO Monitor cabinets to this channel, or
Connect (1) or (2) SB-330e Subwoofer cabinets to this channel.
• (1) QSC PL-1.6HVX Bi-Amp Power Amp (Monitor CH-2)
Installed Card: QSC BSC-2 BusCard
Installed Card: QSC UF-2 2-Way Cross-Over Card
CH-1: 1100 Watts 4 ohms - 725 Watts 8 ohms
CH-2: 500 Watts 4 ohms - 300 Watts 8 ohms
Connect (1) or (2) JBL/LESCO Monitor cabinets to this channel, or
Connect (1) or (2) SB-330e Subwoofer cabinets to this channel.
• (1) QSC PL-1.6HVX Bi-Amp Power Amp (Monitor CH-3)
Installed Card: QSC BSC-2 BusCard
Installed Card: QSC UF-2 2-Way Cross-Over Card
CH-1: 1100 Watts 4 ohms - 725 Watts 8 ohms
CH-2: 500 Watts 4 ohms - 300 Watts 8 ohms
Connect (1) or (2) JBL/LESCO Monitor cabinets to this channel, or
Connect (1) or (2) SB-330e Subwoofer cabinets to this channel.
• (1) QSC PL-1.6HVX Bi-Amp Power Amp (Monitor CH-4)
Installed Card: QSC BSC-2 BusCard
Installed Card: QSC UF-2 2-Way Cross-Over Card
CH-1: 1100 Watts 4 ohms - 725 Watts 8 ohms
CH-2: 500 Watts 4 ohms - 300 Watts 8 ohms
Connect (1) or (2) JBL/LESCO Monitor cabinets to this channel, or
Connect (1) or (2) SB-330e Subwoofer cabinets to this channel.
Monitor Stage Speaker Cabinets
• (4) JBL/HurricaneAudio Monitor Cabinets
JBL 12"Woofer 600-Watts, JBL 1"Horn Driver 150-Watts,
JBL 100'x100'Bi-Radial Horn, Bi-Amped, Gray Carpet Covered.
Bi-Tuned (2 different ports tuned to different frequencies)
Cabinet built by Hurricane Audio.
Neutrik NL4 Connectors - (2) on each end of cabinet
This cabinet can be placed 5 different positions.
Position 1 - Stand on End
Position 2 - Stand on End on top of Pole Stand
Position 3 - Sideways 0'
Position 4 - Sideways 45'
Position 5 - Sideways 60'
Overall Condition of the Rack and Contents: Excellent
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
This item must ship simi-truck,
(1) rack plus (4) speakers on (1) skid.
LESCO NL4 Speaker Cables
(Belden/Speakon/Speakon)
BSC-2 BusCard
Accommodates up to two signal processors
(crossovers, limiters, or EQ) for 2-space
PowerLight amplifiers with DataPort.
Each amp has one (1) of these installed.
UF-2 Cross-Over Card
Two channel fourth-order filter independently
configurable for high-pass, low-pass, or
band-pass operation, plus CD-horn EQ.
Each amp has one (1) of these installed.
Drawer #01
Drawer #02
2-Space Blank Panel BL-2
(1) NAC3MPA
(8) NL4MP
(4) D3F
(32) HP
(32) SW
Pro Audio - Yamaha REV-500 Digital Effects Processor $500.00$175.00On-Sale
REV500 Front
REV500 Rear
Yamaha REV-500 Digital Effects Processor 2-Inputs 2-Outputs
Contents of this Lot:
• Lot Quantity Available: 1
• (1) Yamaha REV-500
Overall Condition: Excellent
Yamaha REV-500 Digital Effects Processor
The Yamaha REV500 Digital Reverberator is a high-quality,
inexpensive, and easy-to-use digital reverberator, suitable for home recording or smaller sound reinforcement
applications.
A true stereo processor with two inputs and two outputs, the REV500 offers high-quality stereo reverb, either
alone or in combination with a variety of other effects. The 20-bit A/D and D/A converters feature a 44.1 kHz
sampling rate, for superb sound quality and wide frequency response. The REV500 comes complete with 100
preset programs that take excellent advantage of this high-performance hardware, plus room for 100 more
programs that you can edit for yourself.
The REV500 is also flexible and simple to use. It lets you use either 1/4" phone or XLR connectors for both
input and output, and gives you the option of +4 dB input and output levels. Four rotary controls allow quick
and easy editing of the basic program parameters. And MIDI IN and OUT terminals allow remote program
selection, remote data storage, and realtime control of program parameters using MIDI messages.
To get the most out of your REV500 Digital Reverberator, please read this manual thoroughly and keep it on
hand for future reference.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - Yamaha SPX-990 Digital Effects Processor $1,200.00$325.00On-Sale
SPX990 Front
SPX990 Front
SPX990 Left
SPX990 Center
SPX990 Right
SPX990 Rear
SPX990 Books
Yamaha SPX-990 Digital Effects Processor 2-Inputs 2-Outputs
Contents of this Lot:
• Lot Quantity Available: 1
• (1) Yamaha SPX-990
• (3) Books
Overall Condition: Excellent
Yamaha SPX-990 Digital Effects Processor
The PCM 80 is one of Lexicon’s most powerful and
versatile digital effects processors. The PCM 80 brings you exciting new effects
with extensive processing and control capabilities, and uncompromising sonic
clarity.
The PCM 80 contains a built-in library of 200 preset programs that provide a
comprehensive array of effects ranging from beautiful and lush to completely
wild. The presets are organized into 4 Banks of 50, and functionally grouped for
a wide range of applications. Be sure to experiment with all 200 presets to get
a feel for the full range of PCM 80 capabilities.
Every preset has one or more of its parameters patched to the front panel
ADJUST knob, giving you instant control over the primary aspect of the effect
— without going into Edit mode. In the preset, Concert Hall, for example, Mid
Reverb Time is patched to ADJUST. When you turn the knob, you will adjust the
reverb decay. In Prime Blue, ADJUST is patched to several parameters, so that
turning the knob changes the effect from a tight chorus, to a chorus with
recirculating echoes and, finally, into a reverb.
The Algorithms
The PCM 80 uses 10 stereo algorithms to create different types of effects. Each
algorithm includes an uncompromised stereo reverb effect, as well as several
voices of additional stereo effects. There are two general classes of algorithm:
4-Voice and 6-Voice. The 4-Voice algorithms: Concert Hall, Plate, Chamber,
Inverse and Infinite each combine a specific type of reverberation with a 4-voice,
general purpose, stereo effect “toolbox”, as well as additional post-processing
for the reverb. The 6-Voice algorithms: Glide>Hall, Chorus+Rvb, M-Band+Rvb,
Res1>Plate and Res2>Plate each combine a specific type of reverberation with
a specialized 6-voice stereo effect.
All PCM 80 algorithms include several parameters that make it possible to create
dynamic spatialization effects for 2-channel or surround applications. Check out
the Ambience Effects in Bank P1 and the Spatial Effects in Bank P2 for
examples.
Tempo Control
The PCM 80 gives you a unique set of tempo controls.Tempos can be tapped
in with the front panel Tap button (or an assigned controller) or “dialed-in”, in
BPM (beats per minute) on the display. The PCM 80 also lets you generate MIDI
clock from your tempo, as well as receive MIDI tempo from an external
sequencer or drum machine. In the PCM 80, tempo can control LFO speeds and
Time Switch controls, as well as all delay parameters, ensuring that all of your
modulations are in tempo with your music. You can even set independent
rhythmic values for different parameters within a single program.
Tempo can be set and displayed in either rhythmic value or time values. Many
presets, particularly the Rhythmic Echo & Delay Effects in Program Bank P1,
have delay times assigned to Tap tempo. Try loading some of these and
pressing Tap twice in rhythm to change tempo.
Editing
An enormous range of editing control is provided for each algorithm, with
parameters organized in an edit matrix of as many as 100 main controls. In
addition to providing this powerful sound design capability, the PCM 80 also
allows you to customize these controls for your day-to-day editing needs, or to
use a subset of controls specially designed for each preset.
The PCM 80 has two levels of Edit Mode control called Go mode and Pro mode.
In Go mode, the most useful parameters within an effect are grouped for instant
access via the front panel Edit button. Each preset has a specially selected set
of Go mode parameters which let you make value changes to the effect without
losing the character of the sound. Pro mode gives you access to the full
parameter editing matrix for the algorithm of any loaded effect when you press
Edit. In this mode, you can access a complete set of Modulation and Patching
parameters, create your own ADJUST knob patch and assign your own Go
mode parameters.
A unique Patching and Modulation system provides unprecedented control over
your effects, with a versatile set of internal modulators: LFO, AR Envelope,
Envelope Follower, Latch and Time Switches. These allow you to create
modulation sweeps which move in time with music, or wildly animated effects.
You can create as many as 10 patches per effect, each with as many as 8 pivot
points. You can patch multiple parameters to a single controller, or patch
multiple sources to a single destination.
Expansion
The front panel memory slot will accept industry standard PCMCIA SRAM cards
(up to 1Meg). Use these cards to store effects (as many as 2350 on a 1 Meg
card), system setups, MIDI program maps, and more.
PCM 80 internal audio memory can be expanded from a maximum stereo delay
time of 2.6 seconds to more than 42 seconds by installing 4Meg memory
modules (SIMMs).
User Interface
For all of its programming power and flexibility, you’ll find the PCM 80 simple to
use. The large, 2-line fluorescent display is easy to see from any angle whether
the surroundings are bright or dark. Separate SELECT and ADJUST knobs
make program loading and editing quick and easy. We’ve even designed in a
special Info mode — press and hold any button to find out what its function is,
or to get status information such as the name of the running effect, current tempo
rate, etc.
To get the most out of the PCM 80, we suggest that you invest the time to explore
this manual. We think you’ll agree that the time spent investigating will reward
you with enjoyment of its full capabilities.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
Pro Audio - EAW 5.1 Surround System $6,000.00$2,999.00On-Sale
EAW 5.1 Surround System Speaker Cabinets
JF80
SB150
EAW 5.1 Surround System Speaker Cabinets
This system was installed in our showroom.
5.1 Channel Surround System with
(5) EAW JF-80 High/Mid Cabinets and
(1) EAW SB-150 Subwoofer.
Lots of possibilities!
Contents of List:
• (5) EAW JF-80 Speaker Cabinets (White)
2-Way Passive Cabinet 460-Watts total
(2) 6.5" Mid Drivers
(1) 1" High Driver on a Wave Guide PlateT
100° x 80° Coverage Pattern
85 Hz to 18 kHz
• (4) EAW 606007 JF80 Wallmount Brackets (White)
• (1) EAW SB-150 Speaker Cabinet (White)
Passive Cabinet 1000-Watts total
(1) 15" Subwoofer 1000-Watts
29 Hz to 300 Hz
Overall Condition of Everything:
Excellent (on a scale of 1 to 10) 9
All equipment has been tested.
THIS ITEM IS NON-RETURNABLE & NON-REFUNDABLE.
This item must ship TRUCK in (7) boxes.
Pro Audio - Electrovoice RE20 75th Anniversary Special Edition $3,000.00$1,999.00On-Sale
Electrovoice RE20SE 75th Anniversary Microphone
The Electro-Voice RE20 is a professional-quality dynamic
cardioid microphone created specially for recording, broadcast
and sound-reinforcement applications requiring essentially
flat response over a very wide frequency range. The wide
frequency response, coupled with excellent transient
response, make the RE20 easily comparable to the finest
condenser cardioid microphones and an easily operated “bass
tilt down” switch corrects spectrum balance for use in longreach
situations or other applications where bass attenuation
is needed.
A true cardioid microphone, the RE20 offers greatest rejection
at 180ş off axis - directly to the rear of the microphone. Pattern
control is so consistent that the frequency response is nearly
independent of angular location of the sound source, creating
virtually no off-axis coloration, yet providing greatest possible
rejection of unwanted sounds. An integral blast and wind filter
covers each acoustic opening on the RE20. In recording
sessions or on stage, singers can “close talk” the microphone,
singing with their lips almost touching the grille screen with
no worry of “P-pops” or excessive sibilance. Part of the filter
also shock mounts the internal microphone element, reducing
the transfer of vibrations from external sources. The
exceptional performance of the RE20 is achieved by using a
large Acoustalloy diaphragm in combination with an
exceptionally low-mass aluminum voice coil. Using this
diaphragm assembly, the RE20 is capable of reproducing
extremely high sound pressure levels with no fear of the
overload and distortion often experienced with phantompowered
condensers. The RE20 will also continue to function
flawlessly in high humidity and elevated temperatures that
would seriously degrade competitive condenser microphones.
A massive steel housing and effective hum-bucking coil assure
the RE20’s resistance to magnetically induced hum and noise.
This means the RE20 can be used successfully in situations
where other microphones would experience unacceptable
levels of hum and buzz. By exploiting the strength of its steel
housing and employing a mechanical nesting concept, EV
designers have created an exceptionally rugged microphone
with superior handling noise rejection ideally suited for
professional uses.
Key Features:
• Favorite of broadcast show hosts and voiceover studios
• Ideal for instrument recording, especially kick drums and acoustic guitars
• Studio condenser response yet no powering required and immune to overloading
• Large Acoustalloy diaphragm and low-mass aluminum voice coil
• Dual-ported, continuously Variable-D® with minimal proximity effect
• Steel case and hum-bucking coil provide exceptional magnetic shielding
Generating Element: Dynamic
Frequency Response: 45 - 18,000 Hz
Polar Pattern: Cardioid
Impedance: 150 ohms balanced
Sensitivity, Open Circuit
Voltage, 1 kHz:
1.5 mV/pascal
Hum Pickup Level, typical
(60 Hz/ 1 millioersted field):-130 dBm
Polarity: Pin 2 will be positive referenced to Pin
3 with positive pressure on diaphragm
Case Material: Steel
Dimensions:
Length: 216.7 mm (8.53 in.)
Widest Diameter: 54.4 mm (2.14 in.)
Body Diameter: 49.2 mm (1.94 in.)
Finish: Black (special edition)
Net Weight: 737 g (1 lb, 10 oz)
Accessories Furnished: stand clamp
Optional Accessories:
309A shock-mounted stand adapter
Engineers Specifications:
The microphone shall be a cardioid type with integral blast filter
protecting all acoustic openings. The blast filter shall also serve as
a shock mount for the internal microphone element. The microphone
shall have a wide-range uniform frequency response from 45-
18,000 Hz. An integral passive network shall be provided so that
when the filter switch is in the “on” position, low-frequency response
shall tilt down 4.5 dB from 400-100 Hz. With switch in “off” position,
microphone shall be essentially “flat” from 80-6,000 Hz, with a broad
2.5 dB rise in response from 6,000-14,000 Hz, and nominally down
3 dB at 18,000 Hz. Response below 80 Hz shall be nominally down
3 dB at 45 Hz. Output level shall be 1.5mV/Pascal. Nominal
impedance of 150 ohms. Response at any angular position away
from the major axis shall be essentially similar to the response
on the major axis, but attenuated uniformly at all frequencies by an
amount appropriate to that angular position. Attenuation at
frequencies from 45-10,000 Hz (refer to major axis signal value)
shall exceed 15 dB at 180° from major axis in any plane. Attenuation
above 10,000 Hz shall exceed 13 dB. Polar characteristics shall
be sufficiently uniform in all planes so that it is, effectively, a cardioid
of revolution. There shall be a shield to prevent dust and iron
particles from reaching the diaphragm. The case shall be made of
steel. The microphone shall have a maximum diameter of 54.4
mm (2.14 in.), a body diameter of 49.2 mm (1.94 in.) and a length
of 216.7 mm (8.53 in.). Finish shall be a nonreflecting fawn beige.
A stand adapter shall be supplied. The Electro-Voice RE20 is
specified.
I am sorry, I am not interested in offers, on this microphone. It is Brand New!
Pro Audio - Sony CDP-C345 5-Disc Player
Pro Audio - Soundcraft Series TWO 40+4x8x2
Pro Audio - EAW JF80 Speaker Cabinets (Qty=4)
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